Martin Audio MLA Takes the Stage at KROQ Christmas Show

	Modest Mouse in concert at the KROQ Christmas Show. Photo: Stephen Carr Photography

KROQ's 25th Annual Almost Acoustic Christmas show settled in at the recently remodeled LA Forum this year after leaving its main home at the Gibson Amphitheater, torn down in September of 2013, and briefly occupying the Shrine Auditorium last year.

According to Meegan Holmes, executive account and project manager at Delicate Productions who has done the show for 17 years, the newly upgraded Forum turned out to be "an awesome experience. The remodel included acoustic treatments that made for a tight dead space. That was already an amazing step in the right direction for any audio vendor," Holmes added, "because the treatment practically eliminated the cavernous sound of your average sports arena."

Featuring an eclectic lineup including No Doubt, Smashing Pumpkins, Imagine Dragons, Weezer, Tears for Fears, Modest Mouse, System of A Down, Bush and Incubus among others, Delicate took advantage of the improved acoustics in the Forum with a Martin Audio MLA loudspeaker system.

The actual setup included 14 Martin Audio MLA with 2 MLD (downfill) cabinets a side as the main hangs; 16 MLA Compact per side for side hangs; nine MLX ground-stacked subs per side, and six W8LM cabinets for front fill.

Two identical front-of-house setups each included an Avid Profile 48-channel console and a DigiCo SD11 console, while the two identical monitor setups employed an Avid Profile 48 channel console with 10 Martin Audio LE700 monitor wedges (stage) and two LE700's (cue) along with a Martin Audio WS218X drum sub cabinet.

Evaluating the show, Holmes concluded, "Since we moved to an arena, KROQ wanted to create a different concert experience for their fans from years past. There was a thrust on the stage that led out to a 16' by 16' deck in the middle of the floor, so we used the DSP in the system to steer the energy of the MLA mains away from the thrust, making the engineers' work less stressful when their artists walked downstage.

"Everyone remarked on the quality of sound, particularly the subs, that we provided at front-of-house. We received compliments from our competitors that attended the show as well."