TiMax to Demo StageSpace at PLASA Show 2018 UK immersive audio and showcontrol specialists Out Board is demonstrating the groundbreaking new TiMax 500S software for TiMax SoundHub, featuring StageSpace spatial rendering tools which instantly auto-calculate multiple adaptive delay-matrix localization objects using three-dimensional data imported from CAD files or entered directly. TiMax spatial objects can be rendered and adapted for a wide variety of stage, audience, and sound system configurations, and fine-tuned in rehearsal by the user, because, as Out Board maintains "experienced sound designers will tell you it's the last millisecond or dB of adjustment that really make the spatialization work." TiMax 500S integrated TimeLine and PanSpace resources allow quick and easy intensive programming and control of multilayered immersive soundscapes, with intuitive and versatile task-based workflows tailored for live, presentation, and experiential spatial reinforcement and immersive audio. There are also new-look variable day/night skins optimized for outdoor, rehearsal, and dark showtime conditions. TiMax also introduces the all-new mighty TiMax FPGA DSP core, which is destined to break the mold with unparalleled new creative tools for spatial reinforcement, 3D immersive audio, and spatial acoustic enhancement. Currently the new core replicates all existing TiMax DSP resources, but with extended delay-matrix memory and completely new ultra-smooth dynamic delay morphing algorithms for totally transparent real-time vocal and instrument localization as well as immersive layered moving effects. An FPGA upgrade option will be available to current TiMax SoundHub customers, future-proofing their existing investment well into the long-term. TiMax UK developers Out Board is among the leaders in object-based immersive spatial reinforcement techniques, having pioneered "source-oriented reinforcement" during the 1990s, and has evolved TiMax to become a choice of premier sound designers of authentically spatialized vocal and immersive orchestral reinforcement, as far and wide as New York's Broadway, London's West End, Europe, Scandinavia, APAC, China, Japan, and Africa.
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