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Alcorn McBride Supplies Digital Audio and Video Players at the Historic Brooklyn Navy Yard

The rich history of the Brooklyn Navy Yard from before the Revolutionary War to its exciting rebirth in the 21st century has found a home in Bldg 92's Brooklyn Navy Yard Center (BNYC). An exhibit and visitors center operated as a program of the Brooklyn Navy Yard Development Corporation, the BNYC features a number of exhibits implementing Alcorn McBride digital video machines and digital audio machines.

The BNYC showcases the history and innovation of the Brooklyn Navy Yard where many warships -- including the Civil War's famous U.S.S. Monitor -- were built and which today serves as model of industrial re-use and green manufacturing. The space occupies former naval officers' quarters and offers interactive and conventional exhibits, videos, and artifacts.

Design/build integrator Videosonic Systems, Inc. worked with museum designer Robin Parkinson to help communicate the ideas contained within the design package. "We've had a lot of success with Alcorn McBride products over the years," says Glenn Polly, of Videosonic. "They're a well-known staple for museums thanks to their bullet-proof performance and reliability."

Videosonic senior project manager/programmer Eugene Ababio notes that "the Brooklyn Navy Yard has a pretty solid history and a lot to say" in the BNYC. "Our priority was to make sure we could provide technology that would not hinder the storytelling process."

He points out that in an exhibit-type installation, "all the devices are critical components and at the BNYC all those devices were Alcorn players. That said, you might think you'd spend most of your time testing and troubleshooting 'til close out. But not with Alcorn. The units were very powerful products yet simple to set up and manage."

The ground floor of the BNYC features a photo montage comprised of five 46" Samsung displays driven by five Alcorn McBride DVM-8400 digital video machines. Each display contains a motion detector so when visitors approach they trigger the story of the photo showcased. Focused audio is provided via soundtrap-housed speakers and Alcorn McBride AM4 digital audio machines. All of the playback equipment is located in an IT server room back of house.

The BNYC's second floor has rooms documenting different periods in the Navy Yard's history. Videosonic selected Alcorn McBride AM4 digital audio machines to deliver information about various artifacts when visitors pick up exhibit handsets. The orientation theatre also features an Alcorn McBride DVM-7400 digital video machine, which drives the display on a 70" screen.

The third floor includes models of ships with embedded video monitors. All are triggered by motion detectors and driven by Alcorn McBride DVM-7400 video players. Additional DVM-7400s provide playback in a wing whose porthole viewers/monitors detail battleship construction. Another, rugged-style theatre space, built from rusty corrugated aluminum and cyclone fencing, tells the story of the Navy Yard's very successful reinvention. It houses a 70" monitor fed by a DVM-7400 video player.

Ababio reports that Alcorn McBride's tech support throughout was "excellent. I've worked with a lot of AV gear for the last 15 years, and it's impossible not to run into situations where you need help from tech support. Unfortunately, sometimes it's difficult to find more than a few technicians who know their products inside out. I never had this issue with Alcorn; everyone I spoke with had an excellent understanding of their products and was able to offer instant solutions."

He adds that the Alcorn McBride products easily supported the multiple content providers contracted by the BNYC. "The project incorporated a number of content providers who didn't all use the same technology. Thank goodness, Alcorn supports all the major file formats and compression rates. It was a relief for the content providers to hear us say, 'Yeah, we can support that.'"

Southside Design's Sam Morse was the exhibit fabricator for the BNYC.

WWWwww.alcorn.com


(18 May 2012)

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