Lighting Designer Normand Chasse Chooses Robert Juliat Dalis 864s for New Mix Sonore Music Series

	Mix Sonore Canadian music series. Photo: Michael Tomkins

Lighting designer Normand Chasse of Montreal-based Wysart selected Robert Juliat Dalis 864 LED asymmetric footlights for the taping of Mix Sonore, a new English-French music variety program, which will air on Canada's TV5Unis starting in May. ACT Lighting, Inc. is the exclusive distributor of Robert Juliat fixtures in North America.

The live music series Mix Sonore features Martha Wainwright hosting a lineup of English and French-speaking artists at Halifax, Nova Scotia's Marquee Ballroom. Performers on the 13 shows include Rose Cousins, Classified, Matt Andersen, Basia Bulat, Jason Collett, Marie-Pierre Arthur, Sam Roberts, Etienne Fletcher, and Yann Perreau. Connections Productions Inc. in Halifax produced.

Chasse says he was "excited to see" the Dalis 864 fixtures at last year's LDI and has been kept up to date on the fixtures by ACT Canada's Alex Monat. The Dalis 864 is a new, 150W color variation of the original Dalis 862 tuneable white footlight designed for the creation of colorful upstage or downstage lighting. Jonathan Pichette of SoftBox Integration, Montreal provided the Dalis 864s for Mix Sonore.

"I'm a big fan of Robert Juliat products," says Chasse. "The company makes really good products; I especially like their new LED fresnels."

Chasse calls the Dalis 864 "amazing" with "a curve that's so sweet and soft for an LED light, nice colors, and really good results when lighting faces. I can control every group of four LEDs and use two different colors in lighting the full body of a singer or musician. The fixture is a good substitute for tungsten lighting."

He also likes the marker or cue lights inside the fixture, which are helpful to artists in a blackout situation on stage. "The low height of the light means you can put them in front of monitors, and they're quiet so they won't affect sound," he adds.

For the Mix Sonore tapings Chasse positioned the Dalis 864s downstage of the performers. "The fixtures can be just one foot away from an artist and still cover them from foot to head with an even light," he notes. Chasse also was the set designer for the show.

The lighting designer was so pleased with the Dalis 864s that he says the fixtures are on his gear list for projects going forward. "I'm now a big fan! I've got them on the list for the next three or four shows I'm doing for television," he reports.

Chasse is especially excited about the Dalis's prospects for lighting country music performers. "Lighting country music artists wearing big cowboy hats is always a nightmare," he says. "The hats create shadows on faces and you can't see people's eyes on closeups. But this light will now be my best friend for country music!"

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