3G Productions Deploys Martin Audio MLA at EDC Las VegasThis year's Electric Daisy Carnival in Las Vegas easily earned its reputation as the world's largest electronic music festival with seven stages, carnival rides, art installations, fireworks displays, and over 400,000 in attendance. The landmark multimedia three-day event took place at the Las Vegas Motor Speedway and focused on providing a total entertainment experience for EDM fans with over 70 DJs performing each day. 3G Productions of Las Vegas/Los Angeles, who once again provided audio for the event, set up a fully loaded Martin Audio MLA loudspeaker system on Stage Two (Cosmic Meadow) to deliver the power and huge amount of low end required for the shows. DJs featured on the stage included Diplo, Justin Martin, A-Trak, Chromeo, Bassnectar, Dillon Francis, and Destructo, just to name a few. The system for Cosmic Meadow stage consisted of 16 MLA and two MLAD enclosures per side, 12 MLA Compact per side for sidefills and three MLA Compact per side for front fills. More than the required amount of low end was provided by 40 MLX subs stacked one on top of the other along the front of the stage. A Yamaha CL5 console was used for front-of-house and a Yamaha PM5D for monitors. Asked about the MLA, 3G's Keith Conrad said, "the system performance each night was fantastic and the Martin Audio stage blew everybody away. The client (insomniac) was happy with the way MLA performed, the show was packed every day and the DJs and their engineers were really impressed with the system." "Because Cosmic Meadow stage was facing out towards the speedway and wasn't competing with any other stage," Conrad adds, "we got the full impact and power of the system, which was amazing. As it turned out, we didn't even need delay towers because the coverage was so exceptional. This was due in part because of Martin Audio's Display 2.1 modeling software." "What makes EDC unique from other music genre festivals is the incredible amount of bass that's required for EDM. The MLX subs were so powerful, the artists and their crews were smiling from ear to ear as soon as they turned it on." "Of course," Conrad concludes, "we were fortunate to have our secret weapon front-of-house engineer Manny Perez who is definitely a veteran with MLA and knows how to tweak the system so it sounds exactly right from the low to high frequencies, which made it an ideal situation for everyone. Overall, I'd say that the system exceeded expectations from every aspect." 
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