Events United Celebrates Teddy Swims' Deck The Hall Ball with CHAUVET Professional

	"We had hanging upstage fixtures trimmed with everything further down stage slightly higher so the audience could see the entire lighting rig," explains Fahey. Photo: Pat Dunn

There were many magical moments sparkling in the 7,200-seat Agganis Arena on December 14 as Christmas came early for music fans with the arrival of Teddy Swims' Deck The Hall Ball. One that stood out for many was when the Grammy-nominated host performed the double platinum hit "Over My Head (Cable Car)" with The Fray, the legendary rockers that made the song famous two decades ago.

Contributing to the show was the team at Events United led by project manager/systems engineer, Chase Clark that drew on the bright output and color rendering prowess of 82 CHAUVET Professional fixtures.

Rachael Fahey, production designer for the concert, described how the fixtures were used. "When I design a show, I try to give our lighting designers a variety of tools to work, with," she said. "Our light director, Meg Fiske, consistently does a great job working with these lighting rigs with amazing success."

Playing a key role in making the show come alive were 82 CHAUVET Professional fixtures from Events United's own inventory, including 64 members of the Maverick family (MK2 Spot, MK2 Wash, Force 2 Profile, Storm 2 Beam, and Storm 1 Wash) 10 COLORado PXL Bars, and 16 STRIKE 4 wash-blinders.

Speaking of the fixtures in the rig, Fahey notes: "For this show we used Chauvet Strike 4, Storm 1 Wash, Storm 1 Beam and Force 2 Profile fixtures for audience light. The mixture of these fixtures gave Meg Fiske, and the touring lighting designer for Teddy Swims the ability to use a variety of different colors and textures."

Though their fixture placement, the Events United team, which also included stage manager, Joel Pelletier; light techs Ryan Lane and Zach Dafeldecker; as well as LED/playback tech Felipe Bida; along with Trifon Athnos on monitors; and David Bickel on patching.

Most of the lighting/video trim heights on the 60' wide by 40' deep stage varied between 20' and 25'. Fixtures on the upstage truss and two side structures were trimmed to frame the video wall. This design strategy, created a "light-box effect," focusing attention on the stage, while at the same time creating a warm, inviting glow throughout the venue.

"We had hanging upstage fixtures trimmed with everything further down stage slightly higher so the audience could see the entire lighting rig," explains Fahey. "When a rig is trimmed like this, it not only gives the lighting fixtures a full range of motion, but really fills the room."