Purple Rain of Flares at the Grammys

	Prince tribute featuring Bruno Mars at the 59th Grammy Awards

The 59th annual Grammy Awards last month was a confluence of stunning performances, controversies, and surprises. In collaboration with production designer Brian Stonestreet, lighting designers Bob Dickinson and Noah Mitz created a visual delight, capturing the mood of a wide range of musical genres including the stunning tribute to Prince.

Every year since its introduction in 2013, the super-bright Solaris Flare has played a key role on the Grammys. With an average of 20 acts per show, that's 100 performances, each with its own distinct look, demonstrating the Flare's versatility.

Says Mitz, "The Flare has become the de facto standard for LED strobes on all of our shows. They are our go-to option for their intensity, reliability, and excellent color rendition on camera."

"We use the Flares to add specific tempo information to music," adds lighting director Patrick Boozer. "There is always a lot of change in television and schedules are very compressed. Having a dedicated system of Flares to pull out specific musical moments allows us to cue very quickly."

"The Flare has been an awesome tool in the field and, with its added wash light and pixel-map capabilities, a major upgrade over previous generations of strobes. I've always been particularly impressed by the solid performance of the Flare -- from its smooth dimming curve to its reliability. If you are going to pop 150 strobes to full in the crescendo of a ballad, you really need to have faith that the tool is going to perform well and the Flare has never failed us."

Boozer continues, "As a programmer I really appreciate how the fixture's profile is built. Allowing the user to control the 'strobe' and the 'pixel' as separate channels allows a flexibility not seen in other fixtures. In my opinion the Flare is far and away the best LED strobe/wash on the market -- honestly it's not even close."

Lighting directors and programmers include Andy O'Reilly, Patrick Boozer, Ryan Tanker, Mike Berger, and Madigan Stehly. Charles Dabezies and Will Gossett were assistant lighting directors. Producers were NARAS & AEG Ehrlich Ventures, LLC, and lighting design was contracted by Full Flood Inc.

The company says Solaris Flares are the standard for entertainment lighting worldwide. The new Flare Q+, has all the features of its predecessor, plus the added benefits of Solaris' revolutionary Q+ Technology. New Q+ LED driver technology almost eliminates fan noise, while increasing brightness by over 40-percent, up to an amazing 52,000 lumens in the 96-LED format, and 58,000 in the Flare Q+ LR linear 108-LED unit. In "theatre mode," the Flare Q+ is effectively silent, yet still 8-percent brighter than the original Flare. Both the Flare Q+ and Flare Q+ LR fixtures have a calibration function that allows matching of intensity and color with earlier generation Flares.

Find out more about Full Flood at www.fullflood.com.

TMB is exclusive distributor for Solaris Flare products.